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Open a larger version of the following image in a popup: Angela Glajcar, 2025-045 Terforation, 2025

Angela Glajcar Germany, b. 1970

2025-045 Terforation, 2025
Paper 200g, torn, metal mounting and plastic
15 3/4 x 11 x 7 1/2 in
40 x 28 x 19 cm
Angela Glajcar makes sculpture from paper. Under her hands this humble and familiar material is torn, bent and folded into spatially-sophisticated structures, which echo the monumental contours of landscape. These...
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Angela Glajcar makes sculpture from paper. Under her hands this humble and familiar material is torn, bent and folded into spatially-sophisticated structures, which echo the monumental contours of landscape. These pieces are suggestive of the geological formations made by the Earth’s elemental processes. Here we see evocations of the undulations of land, the erosions of river delta and the carving out of cave, pit and valley.
Hailing from Germany, Angela Glajcar is a paper sculpture artist, renowned for her ground breaking approach to the medium. Her work has been showcased in prestigious galleries and institutions worldwide, captivating audiences with its ethereal beauty and conceptual depth. The award winning artist brings a unique perspective to her practice, blending elements of spatial awareness and structural integrity with a deep exploration of the expressive potential of paper. Her intricate paper sculptures embody a delicate dance between presence and absence, exploring the interplay of materiality and void. Through her innovative use of negative space, Glajcar creates a delicate balance with the intangible and immaterial, creating effervescent forms that hover between solidity and evanescence. Her sculptural language embraces a sense of fragility, drawing the viewer into a dialogue with the ephemeral and the transitory. In her hands this humble and familiar material is torn, bent andfolded into spatially-sophisticated structures, which echo the monumental contours of landscape. Here we see evocations of the undulations of land, the erosion of river delta, and the carving out of cave, pit and valley. Glajcar's process is transformative. She responds to her raw material and understands its light and fragilenature. She spins a compelling and allusive world with subtle manipulations of her medium. With precision and a keen sensitivity to the intrinsic qualities of paper, Glajcar constructs intricate networks of delicately layered sheets, coaxing them into harmonious arrangements that seem to defy gravity. The sculptures transcend their physicality. Light dances across the surfaces of these sculptures; it shines and glows through certain components and refracts off others. In some pieces it seems to emanate from theobject itself.
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