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The Fight Between Carnival and Lent: Curated by Max Lust

Current exhibition
9 - 31 May 2025
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Open a larger version of the following image in a popup: Anastasiya Tarasenko, Reliquary of Utility (Bone), 2021

Anastasiya Tarasenko

Reliquary of Utility (Bone), 2021
Oil on vintage meat cleaver
12 x 4 in
30.5 x 10.2 cm
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Born 1989 in Kiev, Ukraine, Anastasiya Tarasenko moved to New York City with her family at 6 years of age and has resided there ever since. She attended art schools...
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Born 1989 in Kiev, Ukraine, Anastasiya Tarasenko moved to New York City with her family at 6


years of age and has resided there ever since. She attended art schools early on and


ultimately received her MFA from the New York Academy of Art in 2017. She lives and works


in Sunset Park, Brooklyn.



Artist's Statement:


I like to think of what I do as social critique; it's sharp, it's biting, and it’s aimed at everyone.


The images themselves, however, are often pastoral, convivial, and humorous in the way I


compose them. This reflects the true dichotomy of existence, that we are all things at once,


existing simultaneously with joy and pain, innocence and perversion, etc. It is my self


appointed task as an artist to observe and report these inescapable truths, much in the


same way a court jester is given special dispensation to mock his powerful patrons. But far


from being an aloof observer, I’m probably hardest on myself. With the same, harsh bite, I


make self-portraits with words and images that sting me personally every day. In a sense, I


want to show you, the viewers, that I am complicit too.

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