Jeong Woojae: Afterglow
Past exhibition
Cover
Works
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Jeong WoojaeAfterglow - Always There, 2022Oil on canvas44 x 44 in
112 x 112 cm
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Jeong WoojaeAfterglow - Break Time, 2022Oil on canvas21 x 28 ½ in
53 x 72.5 cm -
Jeong WoojaeAfterglow - Delightful Day, 2021Oil on canvas13 x 21 in
33.5 x 53 cm -
Jeong WoojaeAfterglow - Flow, 2022Oil on canvas21 x 28 ½ in
53 x 72.5 cm -
Jeong WoojaeAfterglow - Seesaw, 2022Oil on canvas13 x 21 in
33.5 x 53 cm -
Jeong WoojaeAfterglow - Snowy Night, 2022Oil on canvas19 ½ x 28 ½ in
50 x 72.5 cm -
Jeong WoojaeAfterglow - Waltz, 2022Oil on canvas21 x 18 in
53 x 45.5 cm -
Jeong WoojaeAfterglow - Bubbly Day, 2022Oil on canvas31 ½ x 46 in
80.5 x 117 cm
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Jeong WoojaeAfterglow - Coloured in Fingertips, 2022Oil on canvas35 x 51 ½ in
89.5 x 130.5 cm
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Jeong WoojaeAfterglow - Dazzling, 2022Oil on canvas36 x 28 ½ in
91 x 73 cm
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Jeong WoojaeAfterglow - Flying in Night, 2022Oil on canvas38 x 57 ½ in
97 x 145.5 cm
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Jeong WoojaeAfterglow - Full Bloom, 2022Oil on canvas31 ½ x 31 ½ in
80.5 x 80.5 cm
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Jeong WoojaeAfterglow - Into the Light, 2022Oil on canvas44 x 76 ½ in
112 x 194 cm
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Jeong WoojaeAfterglow - Moments of Light, 2022Oil on canvas24 x 36 in
60.5 x 91 cm
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Jeong WoojaeAfterglow - Safety Zone, 2022Oil on canvas28 ½ x 46 in
72.5 x 117 cm
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Jeong WoojaeAfterglow - Slow Dance, 2022Oil on canvas44 x 64 in
112 x 162 cm
Press release
Korean artist, Jeong Woojae invites us to experience a surreal situation, where a young girl's constant companion is a tropical fish. She goes about her everyday life against a backdrop of park, suburb and street accompanied by various sumptuous and over-scaled specimens, which seem perfectly at home in an alien environment. They float, guide and hover in the urban air, objects of fascinated contemplation.
Woojae is a representational painter of great skill. He deploys hue, tone and texture with a discerning and accurate eye. The fish themselves are masterpieces of animated nature-study. Entirely convincing in their pictorial veracity, they glisten with sparkling iridescence and rich jewel-like colour. The girl is rendered with sensitive and subtle touches that capture a delicate character. She and her animal partner are located in carefully painted backgrounds that articulate disparate town and landscapes.
These dream-like vignettes are compelling. They convince because of the artist's closely observed and literal interpretation. There is little room for ambiguity: the fish swim in the same medium as the girl. Woojae presents this as actual, his insistent realism records the fantastical and impossible scenario as fact.
Such images prompt ideas of fairy tale transformations, the universal stuff of folk tale and legend. Will the fish become a human? Or something else? Will the girl become a fish? The implication is that the fish is conjured from the girl's imagination. It appears in her world; she does not appear in its. We see into her thoughts and follow a fantasy discourse that runs parallel to her daily routine. The fish represent an alter-ego: a graceful, fluid, and transcendent antidote to the mundane, separate from its messy and banal complexities.
Woojae's paintings illustrate a porous place, where avatars leak from one realm to another. What appears solid is undermined by contextual ambiguity. The girl wills a floating world into existence, a magical space for dreams and possible transformations.
Overview